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Written by 12:55 am Comics

are comic books drawn by hand

are comic books drawn by hand
are comic books drawn by hand
In the early days of the comic book industry, virtually all comics were drawn completely by hand. The artist would pencil each panel on paper, then go over the pencil with ink, using brushes, pens, or other tools. This process allowed for a high degree of detail and control in the linework.
However, beginning in the 1980s and 1990s, as computers and digital art tools became more advanced, many comic book artists began incorporating digital techniques into their workflow. Nowadays, while a handful of artists still draw entirely by hand, most use a hybrid process combining both digital and traditional media.
Typically, an artist will begin by sketching layouts and rough character poses digitally using a graphics tablet. This allows them to efficiently experiment with panel compositions and staging. Once the basic layouts are approved by editors, the artist prints them out to begin penciling.

Do artists pencil the pages traditionally before inking?

Yes, even when working digitally for the layout stage, most comic book artists will do their final penciling by hand on paper. Penciling by hand provides superior control and line variation compared to drawing directly on the computer. Subtle elements like textures and small details are also much easier to achieve with traditional penciling.

After penciling a page, the artist will usually scan it into the computer or photograph it with a digital camera. Then, using software like Photoshop, they’ll adjust contrast, clean up stray marks, or tweak any elements that need correcting. This provides the flexibility of digital editing while retaining the feel of hand-drawn art.

Once scanned and edited, the penciled page will be printed out on special paper for the inking stage. Artists typically ink by hand using pens, brushes, and other traditional tools. Some may do inking digitally as well, but hand-inked pages are still preferred by many.

Why do some artists ink traditionally instead of digitally?

For comic book linework, traditional inking offers some advantages over digital:

  • Greater variety of mark-making – Brush pens, dip pens, and other traditional tools provide more options for line weight, texture, and style. Digital tools can feel limited in comparison.
  • Tactile feedback – Drawing directly on paper provides important sensory feedback that many artists feel is lacking on the computer. This helps guide the inking more intuitively.
  • Preservation of penciller’s work – When inking is done by hand, the penciler’s original drawings remain intact on the page underneath the ink lines. This makes it easier to reproduce or re-edit pages if needed in the future.

That said, digital inking has been adopted by many comic artists and also has some advantages, such as unlimited undos and redos, layers, and corrections. So there are good arguments on both sides; it mainly comes down to personal preference for artists. Those wanting to emulate a traditional look and feel tend to ink pages by hand.

Do colorists work digitally or with traditional media?

The coloring stage of comic book creation is done digitally nowadays. While some early comic books did use watercolors, dyes, or other manual coloring techniques, applying colors by computer has been the industry standard since the late 1980s.

Digital coloring simply offers far more efficiency, control, and creative options compared to traditional media. Using software like Photoshop or Clip Studio Paint, colorists can quickly experiment with an endless variety of color palettes, lighting effects, textures, and more. Choosing colors is also much easier digitally with built-in pickers and eyedroppers. And revisions or corrections are a simple matter of adjusting layers non-destructively.
So there is virtually no reason to color pages manually given the current tools. Nearly all colorists work solely on the computer, applying colors on top of the inked line art scanned in from the pencil and ink. This fully digital approach makes full use of available technology for superior results.

How are lettering and text elements created?

Comic book lettering involves adding all textual elements like dialogue, narration, sound effects, and setting and era indications. Lettering can be done by hand or digitally.

Hand lettering uses pens, markers, or brushes to manually draw each letter. Hand lettering creates a more organic, personalized look. It offers the most flexibility for visual expression at the cost of speed.
Digital lettering uses fonts and text tools in design software. Digital lettering is faster and makes revisions simpler. But font choices are limited and can lack the same visual flair.
Many letterers take a mixed approach; they’ll hand letter key dialogue by major characters to make it more distinctive, while using digital fonts for background text or narration blocks to save time. Sound effects may involve manually created display lettering for impact. So letterers utilize both hand and digital methods strategically based on context.

Overall while hand lettering is still practiced, digital lettering capabilities have improved tremendously, making it the predominant technique in modern comics. Hand lettering is reserved more for key story moments to provide visual flair.

What are the steps for getting physical comic books printed and distributed?

After the digital files for a new comic book issue are complete, containing the finished pages of artwork and lettering, the files undergo preparation for physical printing and distribution.

  1. Prepress – The printer formats the supplied digital files to meet the required specifications for printing, including color profiles and page dimensions.
  2. Proofing – Initial sample print copies, called proofs, are reviewed by the publisher to spot any errors before full printing proceeds.
  3. Printing – High-volume offset web printing presses produce thousands of copies of the full comic book issue. The covers and interiors may print separately on different paper stocks.
  4. Binding – The cover and interior pages are collated, folded, trimmed, and stapled together into the final comic book.
  5. Shipping – Printed copies are packaged and shipped out to comic book specialty shops and other retail channels to be sold on the scheduled release date.
  6. Digital distribution – In addition to print, new issues are also typically released on digital platforms like Comixology on the same day for online purchase.

So it’s a coordinated process transitioning from original digital artwork files to mass-produced print copies shipped globally—all to get new comic issues into the eager hands of fans!

What future innovations may impact the creation process?

Comic book creation has steadily evolved its tools and techniques over the decades to take advantage of new creative possibilities. This trend will surely continue going forward with emerging technologies like:

  • Augmented/virtual reality – Immersive 3D environments could allow artists to digitally sculpt and paint as if working physically. This may provide new options for vivid digital artwork exceeding 2D limitations.
  • Artificial intelligence – AI image generation—shows promise for rapidly composing or enhancing comic art. Hand-drawn elements could combine with AI compositions and colors for increased productivity.
  • 3D/holographic printing – Instead of flat pages, artwork could print with layered depth or holographic effects for added realism emerging off the page. This may open new creative directions.
  • Motion comics – Comics integrating subtle motion, parallax effects, animations, and sound could further push the medium toward an immersive, multisensory experience.
  • Webcomics – Distribution direct to fans online may allow smaller independent creators to find their audience without traditional publishing. This could democratize comic creation.
So from hand-drawn roots to potentially 3D holographic AI-assisted comics, ongoing innovation ensures comics will remain an impactful visual storytelling medium for years to come!